SH(R)EDDING SKINS
In “Sh(r)edding Skins,” we shred society’s expectations of constructing our identities, its influence over our writing, and its power over our voices. We shed the blinding skins that shroud our visions of ourselves, our thoughts, and our legacies. We own who we are, our ideas, and our histories.
Introducing Faridah Nicole Deea
PIECES
1. Artroom Realizations
2. The Presence of Self within Writing
3.Un-typed
Artroom Realizations
In this piece, Faridah explores the pressures faced to pursue certain careers over others and how this can deter one's sense of identity.
The Presence of Self Within Writing
This piece dives deep into the world of writing. It investigates the involvement and perspectives of both readers and writers. Most importantly, it highlights the presence of self within a piece of writing.
Un-type
Un-type explores identity, history, and the power of typography. It confronts the complexities of typographic imperialism, the legacy of colonialism, and its implications on personal and collective identity. It urges you to journey through the overwritten palimpsests of oppression to unlearn, relearn, and resist. Un-type calls you to re-sound the silenced voices.